Vilo Baths

The Museo del Aceite Antonio Gala (Mondrón) is located six kilometres from Periana, in the oil-producing town of Mondrón. This museum was created at the initiative of the Cooperativa Olivarera de San José Artesano, who wanted to preserve the old ways of making the oils that made the town famous. Here you can see the old millstones from the middle of the last century, as well as various tools related to the harvesting and milling of extra virgin olive oil.

The Museo del Aceite de Mondrón invites visitors to discover the ancestral formulas for the production of the 'liquid gold' that made Periana famous. The museum houses old millstones and traditional tools. In its shop you can buy oil from the Almazara.

It is located at the entrance to Periana, in an unbeatable natural setting. It offers spectacular views of the Guaro river depression and the La Viñuela reservoir. Due to its location, Periana offers splendid panoramic views of the Axarquia region.

The Church of San Fernando is located in the hamlet of Mondrón, which belongs to the municipality of Periana. It is a small temple but of great importance to the local community. Mondrón is known for its quiet and rural atmosphere, where the church is one of the main religious and social meeting points.

The Church of San Fernando is a simple religious building, built in the 20th century to satisfy the spiritual needs of the inhabitants of Mondrón. The patron saint of the church is Saint Ferdinand, which explains why the village's patron saint festivities are also dedicated to him. These celebrations usually include religious activities, processions and community events, where the inhabitants of Mondrón come together to celebrate.

Although its architecture is not as outstanding as that of other historic churches, the Church of San Fernando is a symbol of identity and devotion for the inhabitants of this district of Malaga, playing an important role in the community life of Mondrón.

The Fuente de Periana already existed when Ferdinand the Catholic, when he took over these lands in 1487, must have had a considerable flow of water, as in the subsequent distributions he was assigned twelve fanegas of land to accompany the livestock that passed through there to the coast.

Everything around the fountain was ploughed and sown and divided into two halves. One half belonged to Antón Martín de Aliseda and the other to Andres Vara.

Its beauty lies in the wise use of stone, in the simplicity of its coloured stripes (white and green) and in its symmetry; its charm comes from the seclusion of this space, which evokes so many memories for the older women of the village.

The washing places were important centres of female social relations and were like sanctuaries for women's intimacies, gossip and songs. The old tradition of carrying water from the fountain to the house in water jugs still continues.

The Church of San Isidro Labrador is the most representative building of this town.

Eclectic neo-Mudéjar building with three naves, where the side naves are very small, giving importance to the main or intermediate one, with a prominent transept on the ground plan. They are divided by pointed arches resting on cast iron columns resting on stone ashlars, a typical 19th century element. Both the side naves and the chancel and transept are covered with false ribbed vaults, the central nave with a wooden frame. At the foot of the church stands the front or façade made of exposed brick, accessing the church through a segmental arch, above which there is a twinned opening of horseshoe arches with an oculus, and then a triangular pediment, crowned by a belfry with two openings.

A curious detail of this church is the interior flooring, which is made up of small pieces of polychrome terrazzo, like tesserae, which form a series of geometric patterns that form fretwork.